At the gallery’s center,
the upturned face of a man
seen, from the right side,
earnestly seeking
what he hasn't made up
his mind about already,
upper lip a smooth
half-smile of vision,
from the left side, a sinner's
mask, dimpled where
two lips meet
tenderly in half-kiss,
then, face on, its
conflicts less resolved
than invisible, its mouth
a poem of pursed silence.
Thus confronted, I
place cold hands
upon that cold, hard
seeker's ghost made
black metal, my
thumbs on its pitted irises,
fingers in its ears, press
our foreheads together.
You, Rodin, read
the gallery thoughts of one
who is also the imprint
of thumbs in clay warm
with vigorous kneading; is
this the last exhaustion,
chapel of tortured beauty
prefiguring death?
I look, the guard
still gone, rap
the skull with my knuckles.
Rap again that ringing.
The sonnet sequence, "My Human Disguise," of 600 ekphrastic poems, was begun February 2011 and completed January 15, 2022. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Thirty more Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Thursday, July 4, 2024
Rodin’s Baudelaire
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