The sonnet sequence, "My Human Disguise," of 600 ekphrastic poems, was begun February 2011 and completed January 15, 2022. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Thirty more Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Monday, December 9, 2013
TESSELLATIONS (Sonnets 150 and 151)
#151
Mosaic II (Escher)
The mosaic of time isn't patterned moments.
The snail, men, and the flounder share the sand,
Fitted together like ten lovers holding hands.
Camel neck, elephant trunk -- each is bent
To fit into interstices, the empty space
The other leaves so that each with each may embrace.
The lobster pinches the mule's ears and tongue.
The walrus tusk teases the rooster's comb.
A winged demon harries the frightened young
Chased by a sea serpent and silent guitar drone.
At the center the naked young god intones
That all is illusion, all is now, all is ones.
But the tortoise will never catch the hare with wings;
Time isn't duration, but living things.
#150
Aunt Vidalia's Living Room (Alice Guerin)
Aunt Vidalia has an onion for a face,
Lives only in her niece's imagination.
Her living room is a madly beautiful place,
Where family history, all tessellation,
Stares (or not) from portraits and drawings without frames --
Ancestors, animals, some with forgotten names,
Attest to the attenuation of the race.
Unsmiling Utrum never made a decision.
His brother Achilles wore jammies till he died.
Great Grannie Grout's mink was her only possession.
Son Ozimand's tin suit was handsome, though he fried.
Large sisters Dawn and Faun loved to pose in the nude.
(Not sure about the rooster; ready to be stewed?)
Vidalia's niece still adds to the family tree.
Will she ever include herself? We'll have to see.
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