Another War

I drew a high number the last year of the draft,
But a childhood disease would have kept me 4-F.
I have a misshapen hip and couldn't force-march
Or negotiate a pitching deck, fore to aft.
I lost no friend or brothers to war; no one left
My high school to volunteer; no triumphal arch,
No memorial was erected in our town,
No first-hand accounts of battle were written down.
The nightly news showed all there was to see of death
And defeat: we lose each war the minute one man
Fails to open his eyes or to take a next breath,
And new wars start soon enough, because they can.
We launch and drop bombs and bombs and more bombs,
Generously, Samaritans offering alms.

His Majesty

He’s demanded they support his habits

Of frothing, striking, biting, and killing.

His followers, all mice, rats and rabbits,

Beg his mercy upon them, his willing

And most abject obedient subjects.

“What?” he soothes them. “I’m only kidding.

Act as you believe, not at my bidding.”

His cringing rodents think he suspects

Some treachery. Their leader, a wild hare,

Steps forward, bowing low, and says, “Please, sire.

We pledge ourselves to your every desire.

For you we would run with our asses bare!”

“Do so! As I am all you’ve ever feared!”

They ate each other when he disappeared.

Unbridled Folly

He liked to ride bare-assed on a stallion,

Which he left unbridled and unsaddled.

(Some said his mind was idled and addled.)

He thought he commanded a battalion

Of shiny battleships and rugged tanks,

Would tolerate no genius in the ranks.

He commanded the firing of blanks

To force the surrender of cash-stuffed banks.

Clutching golden mane he charged the fray,

Screaming “Follow me, suckers!” at his troops,

Spanking with his crop his poor mount’s sore croup,

Reducing that proud steed’s neighs to a bray.

The exhausted beast reared, bit the golf shirt

Off our hero and tossed him in his dirt.

The Age of Aggravation

I can handle anxiety today

With a pill and a sip of water.

It comes from nowhere

And has little reason to exist.

Yea, I worry about this and that,

The bomb and global warming,

Without thinking, concentrating,

Like a deer in summer hiding

Its does though hunting season

Is an unrealizable future.

I like to think that all is well —

I mean the essential things,

From family to home and work —

I could explain why I’m right.

Then why is everyone so angry?

I refuse to recite the reasons.

They are invisible chimeras 

Of fear, corpses of inconsequence.

A few mad apples, rolling, legless,

Without sense or innocence,

Which won’t die before they rot.

What we used to call ideas

Are now ravenous ouroboros.

Oh, such satiety in aggravation! 

Memento Mori

I found the image in the attic,

In the half-light blurred, static,

Like a votive, intensely vatic.

In a shadow box, five white stones

All shaped like finger bones

Arrange in a question mark,

A gesture beckoning a dark

Something beyond conceiving

Into the emptiness of believing.

I took it and nailed it to a wall

Downstairs, only to watch it fall,

Its glass crack, the stones scatter.

I think they no longer matter,

But I’m wrong. I see them still,

Years later. They won’t, and will.

They're like ghosts no ghost can kill.

Opposition

At the point of the intersection

between the theoretical line

and point, there’s a dimension,

not of space, nor of time

(those have been imagined

more thoroughly than I’m

imagined by myself), but of sin.

Not the brand to trouble God,

this sin is words that begin

without being misunderstood

(because the speaker winks!)

and conclude that bad is good.

I think the pine trees think

in theorems, plane geometry;

their sap is magnetic ink,

and the splash of red I see

in rose, cardinal and Mars,

is blood escaped from my body --

as if I had come from a star

to civilize this wilderness.

The beach is the registrar

of every grain of sand. Mass

is energy’s conscience

and confessor. The soul is a gas.

Yet, right angles, in defiance

of the circle’s perfection,

assume the world, and science

escapes reality’s detection.

Violence in Peacetime

How orderly the mowers sound,

blades mincing, round and round,

the tender blades of grass.

I hear the boots of killers pass

beneath my curtained window —

look out to know where they go.