The sonnet sequence, "My Human Disguise," of 600 ekphrastic poems, was begun February 2011 and completed January 15, 2022. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Thirty more Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Thursday, July 14, 2011
Mountain Stream (Ansel Adams)
#21
The stream ran through high mountain pasture
From failing glacier to pool to pond to lake,
Between banks limned with moss and aster
Rooted in cascades of shattered igneous flake.
I straddled the water running slow over stones,
My boots precariously gripping boulders
The water’s rilling shaped into hipbones.
Further up hunched matching shoulders.
I found a head and rolled it in, midstream.
The shallow, muttering water, unperturbed,
Flowed around and on like a vanished dream.
Provoked, I left not a rock undisturbed
And rolled them in -- the addled stream burst
Banks and drowned the mountain pasture’s thirst.
Nessus and Deianeira (Böcklin)
#20
It knows a thing or two, the old painting.
Rather, it knows how to know a thing.
A myth, given enough verisimilitude,
Will make a nymph of a rustic nude.
Only a bared breast betrays the sex
Of a muscled, thick, and ugly torso
And face, a sensory form of Perspex,
Though no woman ever grimaced so.
While not quite conceivably generated,
They are more human, Nessus and Deianeira,
Than all the faces digitized and pixilated
On photographic paper’s white cornea.
The ground lens merely bent and dilated
Light, while here paint fixes the eye on idea.
A myth, given enough verisimilitude,
Will make a nymph of a rustic nude.
Only a bared breast betrays the sex
Of a muscled, thick, and ugly torso
And face, a sensory form of Perspex,
Though no woman ever grimaced so.
While not quite conceivably generated,
They are more human, Nessus and Deianeira,
Than all the faces digitized and pixilated
On photographic paper’s white cornea.
The ground lens merely bent and dilated
Light, while here paint fixes the eye on idea.
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