Cafe Terrace at Night (Van Gogh)

#48
For Ruth

Is there just one universe?
There the stars and here the cafe.
Hidden lights illuminate the tables.
The various darknesses immerse
Men and stars in dissolving clay.
Are both god and science fables?
The universes are infinite,
They say, and time does not exist.
But here we are and there the stars.
The air is full of perfume and wit,
And a wine too ancient to resist.
All else is beyond, late and far.
Let's nibble galaxies and swallow suns.
I'll count my hours with you by ones.

Cat and Bird (Klee)

#47

I am a person. Look into my eyes.
I've a heart-shaped nose and whiskers
With which I whisk away the flies.
I had a mom, but never licked her.
This cat's tattoo is a damned bird.
Between naps, the atavistic urges
Burst from my brain like a cuckoo.
I'll chase anything feathered or furred
Until my unsated sleepiness surges
Or there's nothing left to pursue.
My owner's son pets me, feeds me.
That I need him and he needs me
Is a lie I kindly perpetuate,
Especially after what I just ate.

The Rock (Peter Blume)

#46

Is it a living or a dying rock?
The girl with ponytail and frock,
Kneeling without shoe or sock,
Beseeches the insensate block.
Men working beyond the clock,
They don't pause to take stock
Of the closed universe they unlock,
Don't hear the crowing of the cock.
They lift each stone, sleepwalk
Toward those with chalk and caulk,
Like able, obedient livestock.
Work isn't something they mock.
Damnation will come as a shock.

The Bridge Over Chaos (John Martin)

#45

To foresee the event prevents a misfortune.

Constant vigilance is a similar strategy,
As is prayer. Chaos is a man's portion,
Presented to each of us without apology.
Could mankind bridge it for even a minute?
If the world chose just one moment to save,
Say, next Tuesday at noon, a finite
Sixty seconds during which we gave
Our full attention: no rape, no murder,
No manmade or natural disaster,
Could we establish one minute of order?
Or would chaos swirl even faster
And bring even eternity to an end?
Oh, but what a message we'd send!

Christina's World (Wyeth)

#44

My Christina's polio did not break her.
She fought a lifetime of weakness,
And now, so many years later,
Struggles to stay up off the floor.
Years in steel and leather harness
Armed her for perpetual war.
Single, she became a teacher,
Never knew a man to comprehend
How necessary, at times, the wheelchair.
Her students, though, took her hand.
She remembers crawling up the hill,
But not how she got so far from home.
Perhaps her greatest feat of will,
But now, as then, she fights alone.

Note: This sonnet is completely fictionalized. It was inspired, however,
by someone I meet in fourth grade (1963). We both wore leg braces at the time.
She had polio, and I something far less serious. But, the braces were a bond,
of sorts, and we became good friends. We've reconnected in recent
years. She is well and near family.

The Temptation of St. Anthony (Dali)

#43

Temptation does not walk on legs
As long and thin as giraffe stilts.
It stomps like an elephant on eggs
Until it's churned a mess of guilt.
All the legends are full of denial,
As if that's all it took to be godly.
The desert is an empty trial
And determination works, oddly,
Better than love, if all you want
Is not to know physical love, riches,
Beauty, or the power of the tyrant.
I love how the hair shirt itches.
Angry, the Lord said, Make a life!
Work, charity, children, and wife.

". . . out of the air, a zebra appeared, with the face of a man." (Ruth Diamond-Guerin)

#42
That is my face on the zebra's body.
The striped plain is habitat and prison,
But no dream, not even a vision.
Move but slightly, I become nobody.
I can't remember how I came to be.
Perhaps I was bewitched by the gods.
I am a creature against all the odds,
A thinking, feeling singularity.
Animals are defined by their camouflage,
But not men, and I am neither one.
Come, capture me. I can dodge
Your eye -- before you start, you're done.
But, in doing so, I lose myself as well
In this dry, cold, vanishing point of Hell.


Note: This drawing, by my wife Ruth, originally in blue pencil, is based on a character from a long children's story called "A Tale of Tails," which I wrote in the 70's. The zebra's face is mine, 30 years ago.