Showing posts with label juan miro. Show all posts
Showing posts with label juan miro. Show all posts

Wednesday, April 27, 2011

Carnival of Harlequin (Miro)
















#10

We are the carnival of harlequin.
There is no shape or color we can't take
To paint emotions, virtue, wit, or sin.
No one would recognize as real or fake
An eye without a smile or cats sans paws
In such a place. Our singing makes it seem
A foolishness of us to hide our flaws.
So do not think that seem can rhyme with dream.
We are as real as you, if you are real.
You look at us and do not understand
The way we look at you. The sad appeal
We make for life is all a joke, all canned.
There's nothing in our act that you'll believe,
So look away. We'll watch you as you leave.

Friday, December 3, 2010

Miro's "The Farm"

















Revenged in sleep, yes, a good omen:
volcano, eggplant, hawk feather
conditioning a moment of pure certainty,
instead of remorse. Birdsong dissolves
the hard black shell of their dream.
She breathes deeply, counts the number
of all those living and gives thanks.
Her skin moves over bone like sad music,
a lamentation of slow recognition.

She thinks, The next is tree across a gorge,
a trick of the eye, a drunk’s progress,
the balanced walk soon elbows and knees,
the hopeful ephemerality of creeping
going lower, the rigid belly at rest
on the gnarled limb tapering to a twig—
pointing finger arrested in emphasis.
Fear zero, the unimaginable destiny.
She twists her body like a swimmer turning
backstroke into butterfly, affirming
things still work beneath the bedclothes.

She stretches to call the nurses: sun
a push button set in pale blue sky;
water can, milk pail, red tile, hedgerow;
plowed and seeded earth pocked by rain;
rafters, stepladder, goat bleat, cockcrow;
the fox’s daily raiding of the hen house;
the baby’s naked footprints in dried mud;
snail, calendar, chain link fence;
stones everywhere, endless hard work;
how her back bent beneath wet laundry,
milk, hay, dung, branches, children;
how it arched aching when her sun-fired
husband’s body pierced her in the shade.
The holy triangle: husband, children, self,
grown geometrically into a power of itself.
She remembers the fruit silk and sap smell
of the tree that grew in the center of the yard,
its branches arms with a hundred umbrellas.
In autumn, its shapeless, colorless body
stood like Death attempting resurrection.