Wednesday, December 23, 2020

His Majesty Receives (William Holbrook Beard), Sonnet #544











He’s demanded they support his habits

Of frothing, striking, biting, and killing.

His followers, all mice, rats and rabbits,

Beg his mercy upon them, his willing

And most abject obedient subjects.

“What?” he soothes them. “I’m only kidding.

Act as you believe, not at my bidding.”

His cringing rodents think he suspects

Some treachery. Their leader, a wild hare,

Steps forward, bowing low, and says, “Please, sire.

We pledge ourselves to your every desire.

For you we would run with our asses bare!”

“Do so! As I am all you’ve ever feared!”

They ate each other when he disappeared.


My book of the first 200 of these sonnets is now available for purchase. Click here: My Human Disguise.

Sunday, December 20, 2020

Kirkus Review of my book of stories: "The Story of My Universe and other Stories"






THE STORY OF MY UNIVERSE AND OTHER STORIES

This volume of short stories teeters on the edge of plausibility, exploring everything from sinister cults to the coteries of academia.

Seventeen tales are offered in this collection of extremes written by an author who is equally comfortable examining the grisly as he is the demure. The opening story, “Shoot Me,” is one of strange coincidence—a young man accidentally shoots a fellow hunter in the forest only to learn that chance brought them together before. The following story, “Ball,” is a bizarrely intriguing tale about a man who inherits a mysterious sphere from an aging colleague and discovers that it holds wildly entertaining and destructive powers. Meanwhile, “Poet to Poet” is a cautionary tale about the predatory nature of academia. “The Metametamorphosis,” in which a fashion designer awakes to find he has transformed into a beetle, is a thought-provoking rewrite of Kafka’s masterpiece. The collection closes with the title story, which tells of a seemingly ordinary man who comes to the realization that “I murdered someone I didn’t even know.” When approaching Guerin’s writing, it is important for readers to expect the unexpected. Even then, nothing can prepare them for the knockout final sentence the author delivers in “Red,” the tale of a man who stumbles on a cult performing a ritual on a beach. Full of surprises, Guerin’s descriptive approach is refreshingly unconventional: “From this grassy bank wishbone-shaped twigs stuck up like fetishes.” Yet he also has the power to suddenly flip to the remorselessly brutal: “There didn’t seem to be any blood, though my fingers sank in slightly as if the skull had shattered.” The author’s stories are founded on a breadth of literary knowledge. In addition to Kafka, Gogol is a clear influence, even making an appearance as a supposed thief in “Gogol in Paris.” A naïvely pretentious conversation between two students in “Philosophy 000,” the weakest tale here, fails to bestow each character with a satisfyingly unique voice; on occasion, it is difficult to discern who is saying what. But this is a minor distraction in a strong and compelling assemblage that is sure to perturb and astonish in equal measure.

Elegant, impactful writing in a deliciously unnerving collection.
https://www.amazon.com/Story-My-Universe-Other-Stories/dp/1937484815/ref=sr_1_1?dchild=1&keywords=Christopher+Guerin&qid=1608484398&sr=8-1