The sonnet sequence, "My Human Disguise," of 630 ekphrastic poems, was begun February 2011. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Fifty Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Showing posts with label equals infinity. Show all posts
Showing posts with label equals infinity. Show all posts
Wednesday, November 12, 2014
Equals Infinity (Klee), Sonnet #212
Nothing equals infinity,
And that, yes, and that, all that crap,
Just a damned ambiguity
And metaphysical trap.
Infinite the galaxies.
Infinite the grains of sand.
Infinite the gaseous seas.
Infinity we understand.
Nothing we can't contemplate,
Because nothing has no equal.
There's no infinity so great
Or timeless, nor a thing so small,
Except, my eye on a migrating bird
At the feeder, there, equally absurd.
Sunday, June 27, 2010
Equals Infinity
The infinity pool is unbounded
of course and of course
expression itself in the double
description of its single point,
the fisherman’s wet net flung
to catch irregularities of the sea—
our Aegean has never been emptier!
The gold light bends the gold wave
on the tear beading on the lash
where a pencil has left its gash.
We cannot look too closely
at anything (that can’t look back),
without understanding to death
matter not worth knowing or love
or faded images resolved into
a moiré of inconsequence.
We confront the one artist,
questioning his portraiture—
all these faces deftly drawn
by an artist drawing himself.
of course and of course
expression itself in the double
description of its single point,
the fisherman’s wet net flung
to catch irregularities of the sea—
our Aegean has never been emptier!
The gold light bends the gold wave
on the tear beading on the lash
where a pencil has left its gash.
We cannot look too closely
at anything (that can’t look back),
without understanding to death
matter not worth knowing or love
or faded images resolved into
a moiré of inconsequence.
We confront the one artist,
questioning his portraiture—
all these faces deftly drawn
by an artist drawing himself.
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