The sonnet sequence, "My Human Disguise," of 630 ekphrastic poems, was begun February 2011. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Fifty Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Thursday, November 15, 2012
A Sunday on La Grande Jatte (Seurat)
#91
Look long enough and Seurat's pointillism
Seems letters and punctuation, not dots,
Becomes a narrative, a verbal prism,
Written in a language that can't be taught.
The hook of cane, umbrella, monkey's tail,
A stone with a white and orange bonnet,
The pinch of waists and a billowing sail,
All forestall the waning of the day.
Only a running girl, a blown trumpet,
A leaping pup, having anything to say.
The rest is stillness, and while the shadows
Avoid the giantess, elsewhere they grow.
Emotion is atoms frozen and bound,
Letters to paper, and can't make a sound.
Thursday, November 8, 2012
The Flammarion engraving (artist unknown)
#90
The Milky Way is stone and silent fire,
Flying ice and dust, and expanding gas,
But what we find within the heliosphere
Suggests a whilom laboratory
Where the essential elements were cast
And the residues made preparatory
For the distillation that's planet Earth:
Europa's water, Io's sulfur,
Gases from Saturn and Jupiter,
Engineered for the terrestrial birth.
The traveler sees, beyond a starry veil,
Cosmic clockwork, eternal music.
Kneeling, he lifts a hand as if to hail
His Maker, the tinkering mechanic.
Wednesday, October 31, 2012
Jacob Wrestling With The Angel (Rembrandt)
#89
In my blindness after midnight I could not see
If the shade I wrestled was a man or woman.
I say shade but it was not without its own light,
Or shades of a color, like the edge of the sea
Is a million greens and the sand a million tans.
I wouldn't let go; you wouldn't call it a fight.
Our muscles were a conflict between oak and wind,
My hold was firm and unyielding, its holy grip
Gave but held; impatient, it wrenched my hip.
Was the pain meant to test the firmness of my mind?
As the sun rose, I said, "Bless me and I'll let go."
"I can," it said, "Now you know what you know."
I did not overcome God, as the angel said,
But myself. He knows me now. I am not afraid.
Wednesday, October 24, 2012
Road With Cypress And Star (Van Gogh)
#88
Why is everything about distance, not place?
A star isn't just light years away -- it is fire.
The moon we traveled to no longer had a face.
The Milky Way is largely tar, with a little briar.
Leave the universe be. Space is only backdrop,
Incommensurable, a dim futility,
A perfect but incomprehensible beauty.
Suspend exertion and let all wondering stop.
Don't even follow the road to the cypress tree.
Go straight through mown grass and harvested fields,
Until the cypress is the only thing you see,
Until its scent is the only light its leaves yield.
What is will then displace all distances
And take away from time all instances.
Thursday, October 18, 2012
Four Riffs on "Three Musicians" (Picasso)
#87
A tune is the ultimate abstraction,
An emotion expressed as a fraction.
Some notes invariably repeated
Become a cold emotion reheated.
Not all musicians are made of music.
Some are talent, some mere facility.
The best I've known live a necessity,
Like physicists slave to mathematics.
Picasso's clowns can only make us dance,
Twist our senses into a whirling trance.
I've wept at the silence a conductor
Held at the end of the Ninth of Mahler,
As if to say, "Behold what's gone before --
Anguish, redemption, hope -- and don't despair."
Friday, October 12, 2012
Autumnal Fantasy (Charles Burchfield)
#86
We could see each moment as a story,
Murmurs of focused imagination --
Illustrated by the moon or the sun --
From the collected works of satori.
We're told that such enlightenment is rare,
Or as ever-present as the air,
Though only if we take the time to breathe.
The nuthatch can ignore the withered leaves
And be ignored by the leaves in their turn,
But each day we fail to irradiate
The forest with our consciousness we burn
It down. We all have stories to relate;
Some we've been shown, but most we must create.
It's the easiest thing, to be. Don't wait.
Wednesday, October 3, 2012
The Local Group (Hubble)
#85
Andromeda and the Milky Way collide
In the next few billion years, or so:
Not why Frost said, "provide, provide,"
Though it's not a bad way to go.
With some two trillion stars at risk
In the melding of galactic discs,
Odds of stars clashing are rather low.
Consider, the star nearest the sun:
Proxima Centauri; a distant son,
Unlikely to visit anytime soon.
Perhaps a stray Andromedan moon
Might sail our way. With some delay,
The Local Group will join the fray
And bring an end to night and day.
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