The sonnet sequence, "My Human Disguise," of 630 ekphrastic poems, was begun February 2011. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Fifty Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Friday, May 24, 2013
“Comment une conscience se fait univers (peut ĂȘtre)” (Roberto Matta)
#119
What if the universe is an illustration,
Matta seems to say, just our assembly
Of images, some structured, and others,
Colors bleeding, a crystal seeking formation,
Ideas spinning with empty possibility,
Something the end of consciousness smothers?
A pilot, when the moon is full, will say,
"What a nice night for flying," but in space
Every moment is the same starlit day,
Or is it, without pilots, or the human race?
We strain to create boxes, not a shape
Found much in nature, only to escape
The elements, and that is how we think --
Though even boxes vanish when we blink.
Note: Loosely translated, the title means,
“How a consciousness is made universe (maybe)”
Thursday, May 16, 2013
Magic Mirror (Escher)
#118
this moment this moment this moment this moment
Dragons on graph paper and images of beasts
March to assembly, an army at war within.
A propped mirror is the instant when time is rent,
What's done from what's about to be released,
That instant we neither recall nor contemplate a sin,
(The mirror internally, eternally lit),
Since we're in the act of committing it.
We are those silver, faceless, and unmoving orbs,
Who, before and after, our reflection absorbs,
While the dragons, a danger, but oblivious,
Circle us endlessly, meshing, silent terrors,
The jailers of the placid, dim, and unconscious.
the mirror mirrors the moment this moment mirrors
Wednesday, May 8, 2013
A Sudden Gust of Wind (Hokasai)
#117
I lived in the shadow of Pikes Peak when a wind
Knocked a tall Ponderosa Pine onto our home.
I watched it cascade down and feared the roof would cave.
The wind blew all day like the words of a mad mind,
Or endless release of energy from a bomb.
A thousand trees went down into an open grave.
Beneath Mt. Fuji the wind, fitful, capricious,
Is believed to be a spirit, both mischievous
And, at certain times of the year, avaricious.
Unbidden and unlooked for, it suddenly gusts,
Making kites of hats and snow of poets' pages,
Stirring up despair like blown kisses fanning lusts;
Or, like a petulant child, it writhes and rages
At the cold, dry mound it has suckled for ages.
Thursday, May 2, 2013
Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening (Dali)
#116
The floating nude -- not tigers disgorged by a bass,
Nor a bayonet pricking her flesh below the elbow,
Nor a stilt-legged elephant toting a pinnacle of ice --
Is the real dream, the painter's hypnogogic lass.
She's sleeping the secret to what we seem to know --
Above her stoney bed and fearsome precipice,
What a bee buzzing at a pomegranate means --
Consciousness is a dream of a dream of a dream,
A broken fruit released of its prepotent seeds,
The begetter of perceptions, ideas, and deeds,
No more real than two hovering mercury beads.
She wakes and the tigers are leaping still,
The elephant's laughter soothingly shrill.
She can forget them all at will, and will.
Thursday, April 25, 2013
Silence (Odilon Redon)
#115
I cannot tell you what I know because I can't.
You hear only what you imagine I can say,
Which is everything: what is evanescent,
And why you hear, or what is already empty.
I'm impossible, the opposite of being,
As darkness is the false negative of seeing.
But, if you can seek me out, I am a music,
Composed and at rest, a tune without beat or notes
(The Sirens would have shrieked, blasting voices
Into cracked larynxes just to mimic),
A sonata unwhispered I unlearned by rote,
My own sweet refusal to make any choices.
Now be quiet, if only for a moment
Stay your life, if only for a moment
Friday, April 19, 2013
Nude Descending a Staircase, No. 2 (Duchamp)
#114
Light is invisible until it strikes our Eve,
When her body becomes an object we perceive.
It might have been there all along if we believe
That what we cannot see we can conceive.
Though unclothed, she steps quickly to achieve
The bottom of the stairs. Her limbs slice and weave
The air she's turned to gold, all to deceive
Lust her modesty can only hope to aggrieve.
Nothing of her is lost that we cannot retrieve
With a blink. But look! While looking too closely, we've
Dissolved her, like pouring Chardonnay through a sieve.
From oblivious blindness there is no reprieve.
Failure to see, to see, to humbly and with love receive
Such beauty, condemns us criminally naive.
Thursday, April 11, 2013
The Sea Monster (Durer)
#113
Each moon the damned gray sea monster abducts our wives,
Then releases them to us as speechless as fish.
Not one has revealed what happens beneath the waves;
So we wonder, do they endure terrors or bliss?
He has antlers and a merman's scales, and a shield
Of tortuga shell, and eyes that say, "Ye shall yield."
Only Annalee, my perfect wife, fought the beast,
Calling to me as I stood helpless on the beach.
After she slapped his bearded face and yanked his mane,
He ripped off her dress and drowned her in shame.
Of all the women taken, only she has not returned,
Those taken since scoff at the possibility
(Each petulant and stiff, like a woman scorned)
That Annalee's alive, with him, beneath the sea.
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