Day and Night (Escher)

#95

Geese land in the pond like hours in time,
Unconsciously tuck wings under and glide
In sequential and unwavering lines.
After flying day and night they've arrived,
With a few turning back along the way,
Only to reach the same pond the same day.
Each bird starts a ripple in the water
((They're not quite aware of at that moment))
That wind nor rain but only shore can stop,
Though each ripple will each ripple alter.
Each perturbation of the pond is spent
In the moment one goose flaps wing and hops
Toward the sky, frantically seconded
By the flock, as though all futures beckoned.

The Scoop Tree (Julia Guerin)

#94

Each bare tree is all that's left of today
And those with leaves will vanish soon enough.
My daughter paints what we call the Scoop Tree,
Home of a squirrel who never ran away
When nuts could be scooped up, frantically stuffed
In his cheeks, ignoring my child and me.
I wrote a story about the squirrel,
Read it to her often when she was young.
Now that she's no longer a little girl,
She's painted what the tree's been all along.
There is as much of life in line and ink
As in the existence of tree or tale.
Fail to see or to concentrate (don't blink!),
And what counts will dull, memory will fail.

Note: The day before I posted this sonnet, my daughter Julia
posted the following on Facebook. Her timing couldn't
have been better:

What a great day! I love days with little moments of awesome in them. All of my moments involved people, food or lights. First moment of the day was meeting a woman who seemed so sweet, loving, and wonderful that I couldn't help but smile. She has taken on 3 kids as their new foster mom. As she walked out of school, she swung the little girl that was with her over her shoulder and the girl looked at me with the biggest, most true smile, and waved as they walked away. What a difference this woman is making. 

The food was ice cream brought to me by one of my trouble students and sushi given to me by a customer at my other job. The lights were when the legs of the reindeer lights on Bluffton Road matched up with the beat in my music, and when I was dancing in my car at a stopped train, the car in front of me pumped their break lights in time with me dancing. Fun moment between me and a faceless stranger.
The best moment of the day, however, was when the chef at the restaurant came out and sang for the birthday girl. He belted out happy birthday in his language but in opera style. I didn't expect that at all. His voice was so beautiful and the gesture was so genuine that I almost cried. I love it when people surprise or wow me. Today was filled with moments that make me love humanity.

Melencolia (Durer)

#93

An artwork is passage of time temporarily arrested.
Melancholy inevitably ensues, new effort wasted.
My world is not impossible, but imaginary,
A natural and a mechanistic menagerie:
The nodding babe and the slumbering hound,
The skull dreaming in the polyhedron,
The ladder to rainbow and splintered sun.
I must unbalance scales, ignore the bell,
And drain the hourglass sand out of its shell.
The nails and the knife both shorn of evil,
The age's golden sphere now leaden still,
My calipers measure a pointless spell.
Despondently, I await the next alchemy of duration.
I'll concentrate forever, then begin my final creation.

Note: In Durer's time, melancholy was associated with the imagination
and artistic creativity. Click on the image to see it in great detail.

Rue De Paris, Rainy Day (Gustave Caillebotte)

 #92

Walking the streets of Paris with my wife,
Feeling her heart through her hand on my arm
(It is April and we're here for a week),
We celebrate twenty five years, a life
Of mutual shelter beneath the storm,
Sharing a blue umbrella as we seek
Out the old soul behind the city's charms,
What we've found in each other countless times
When the sun has broken through and we shine.
She gasped when she saw the Eiffel Tower,
Her wonder more thrilling than its power,
While the Winged Victory's arms were not missed,
Because she sought to entwine hers with mine,
And in front of Rodin's The Kiss, we kissed.

A Sunday on La Grande Jatte (Seurat)

#91

Look long enough and Seurat's pointillism
Seems letters and punctuation, not dots,
Becomes a narrative, a verbal prism,
Written in a language that can't be taught.
The hook of cane, umbrella, monkey's tail,
A stone with a white and orange bonnet,
The pinch of waists and a billowing sail,
All forestall the waning of the day.
Only a running girl, a blown trumpet,
A leaping pup, having anything to say.
The rest is stillness, and while the shadows
Avoid the giantess, elsewhere they grow.
Emotion is atoms frozen and bound,
Letters to paper, and can't make a sound.

The Flammarion engraving (artist unknown)

#90

The Milky Way is stone and silent fire,
Flying ice and dust, and expanding gas,
But what we find within the heliosphere
Suggests a whilom laboratory
Where the essential elements were cast
And the residues made preparatory
For the distillation that's planet Earth:
Europa's water, Io's sulfur,
Gases from Saturn and Jupiter,
Engineered for the terrestrial birth.
The traveler sees, beyond a starry veil,
Cosmic clockwork, eternal music.
Kneeling, he lifts a hand as if to hail
His Maker, the tinkering mechanic.

Jacob Wrestling With The Angel (Rembrandt)

#89

In my blindness after midnight I could not see
If the shade I wrestled was a man or woman.
I say shade but it was not without its own light,
Or shades of a color, like the edge of the sea
Is a million greens and the sand a million tans.
I wouldn't let go; you wouldn't call it a fight.
Our muscles were a conflict between oak and wind,
My hold was firm and unyielding, its holy grip
Gave but held; impatient, it wrenched my hip.
Was the pain meant to test the firmness of my mind?
As the sun rose, I said, "Bless me and I'll let go."
"I can," it said, "Now you know what you know."
I did not overcome God, as the angel said,
But myself. He knows me now. I am not afraid.