Thursday, April 25, 2024

The House

 











The house in dreams is always the same,
Though its rooms, like lungs, bulge and contract
And sometimes the rain
Bends ceilings and bursts through in cataracts,
Frightening as spitting your teeth down the drain.
Dad’s gone, and that house will never be the same.

The old trees, too, are still the same.
We rake and burn leaves in the driveway
And recall legendary Claire,
Who caught fire leaping on a dare, they say,
Whose ghost still turns on the faucet upstairs.
Mom’s gone, and that house will never be the same.

The stairway in the front hall is the same.
I find my mail stacked on the newel post,
Though I don’t live here.
Though I am still alive, I am a ghost
The others cannot touch or see or hear.
Dad’s gone, and that house will never be the same.

The ways we use each room are still the same,
But the television is black and white
And the kitchen is a mess.
We feel no urgency, no physical delight
In being where there is no light, no darkness.
Mom’s gone, and that house will never be the same.

The river runs through our backyard just the same.
Memories of trysts and laughter, beneath the willows,
Though vivid, never intrude.
The river is a dark chalice threatening to overflow,
Or frozen as stone, dead, supine, nude.
Dad’s gone, and that house will never be the same.

My bedroom and closet still seem the same.
While the window no longer looks out on the trains
On the trestle beneath the moon,
The closet door mirror no longer refrains
From showing me what has come only too soon.
Mom’s gone, and that house will never be the same.

The attic and the basement are both the same.
We hide in one or the other with our fear—
Of life, or of death—
The attic when all that we hold dear
Disappears; in the basement holding our breath.
They’re gone, and that house will never be the same.

Thursday, April 18, 2024

Natural Violence

“What stops the rain
    if not desire,”
jokes the rippled windowpane.
    Frozen fire
laves each desiccated blade.
    Living dead,
the unenlightened shade
    shakes its head.
Let he who hasn’t sinned
    be the first
to stop the stones of wind
    and murder thirst.
Another brief thundershower
    washes the soil,
leaves it dry as flour,
    water under oil —
flash-floods down the street,
    filling sewers,
desultory ending to the heat.
    A man lures
a twelve-year-old into his car
    and disappears.
She is found, not far
    from home, in tears.
Lightning is the veins of his 
    hand tearing
the limb from the tree.  Thunder is
    his swearing.
Falling out of purple sky
    like fists, hail
answers every answer “why?”
    Crops fail.
Farmer sends his milk cow
    to slaughter
for want of hay.  Now 
    he drinks water.
They dredge the river and tow
    the flatboats
until the water will not flow
    and nothing floats.

Thursday, April 11, 2024

Flowering Crab

















Scarlet unopened, the buds of flowering crab
bleach out in sunlight, go pale pink and drab.

After the third day, the wind loosens the petals,
and one flutters to the grass and settles.

It works its way down to the soil—
wind and water rub it thin as foil.

Then, between each cell, oxygen convenes,
until the petal of itself is rendered clean.

It dissolves into pattern everywhere;
if grown again to petal it won’t know or care.

Thursday, April 4, 2024

Abstraction, Sonnet #624

The sound of time is the sound of light,
So the morning sun would seem to say;
But now, when it’s either soon or late,
Is silent, dark, when any shade of gray.
Infancy (now in its shroud of amnesia)
Saw a thing as it was there to hear
With ecstatic nerves of synesthesia,
Or like a planet without an atmosphere,
Naked to the bombardment of the stars,
Spun from space. That memory, stored
In our synapses, fights a prolonged war
To glimpse what our mind has barred;
A light the color and the sound of time
We know is not a product of the mind.

Thursday, March 28, 2024

Song of the Telegraph (Charles Burchfield), Sonnet #623














I’ve always seen the world as quivering,

Motes in my eyes, random as Brownian

Motion, more than sight, but delivering

What has been awaited for an eon.

Even rocks I find on Michigan shores,

Which crowd memorabilia on my desk,

Tremble in the dimness the light abhors.

(Rocks have too many answers, so don’t ask.)

Living things are a different matter:

Trees, cats and birds shudder even when still,

And when they move they pretend to shatter

Within a blinked tear that’s started to rill.

What’s not dead is my electricity,

Motion grounding my own haecceity.


Note: haecceity (hakˈsÄ“É™dÄ“/) means “the property of being a unique and individual thing”

Thursday, March 21, 2024

Horizon, Zenith and Atmosphere (Paul Klee), Sonnet #622




















I see that cold red dot

At the center of all,

As I stand, myself a spot

Not round, not flat, not tall,

No more than open eyes —

No zenith on horizons,

Just air as thick as sighs

Repeat seeking orisons.

The red dot draws on will

Until I disappear

With nothing to fulfill,

Nothing to find or fear.

At the center of pressure

I can’t take its measure.

Thursday, March 14, 2024

Rose In A Tumbler (Mondrian)




















A powder blue flower —
a rose in a short glass,
a seer's whiskey sour,
nature without surface.

A drawing to surpass
reality, it grows,
it seems, to embarrass
red and white roses.

We know the artist’s known
a multiplying power — 
the rose blooming unblown —
an immortal flower.