The Thief

The Capitol, a home of belief —

It doesn’t matter which — slowly decays.

The roof beams go first, nothing wooden stays.

Moss paints the stone arches in bas-relief, 

Images of dead and forgotten grief.

We live in roofless rooms with a sly thief,

Who steals, first our parents and eldest friends,

Then our useless youth, which he quickly spends.

Our music and books are replaced with fakes,

Our mirrors with odd faces, double takes.

Though I would not kill the thief if I could,

I defy him — plant flowers, kiss the wind.

I have children I hug; I’ve seldom sinned.

He can’t have my memories, bad or good.

The Dancing Monster

If you dare to tell him he can’t,

The monster starts his dancing rant.

The noise blasts an half-empty House

Where nothing stirs, not even a louse.

His legs lift just so high and pound

And pound the ground like myriad rounds

Aimed to shell the foundations

Of once allied loyal nations.

(He makes of enemies his friends

For obvious and evil ends.)

His confused shrieking grows louder,

Anger eloquent as gun powder.

When dance and rant become one,

The work of dictatorship’s begun.

Pandemonium

Potus, a defeated devil of Pandemonium,
Is lonely tonight for want of a loyal friend:
Anyone, sick or foul, human or fiend,
Even a specter enriched with plutonium.
The lights glare like angry souls at the palace,
And the burning rivers between here and there
Drown out the sweet, anguished tintamarre
Of endless victims of others' so-called malice.
Cold comfort for Potus, who once boasted
The brightest shield and the longest spear,
Who stalked the palace halls without fear,
Now to stand out here, alone and untoasted.
"Curse you all!" he cries, "I don't deserve this!"
But knows there's no leaving Satan's service.

The Rhinoceros

The rhino, armored like a knight,

With two weapons — his sheer tonnage

And the horn sticking from his snout —

Will never hesitate to fight.

The least intrusion sparks his rage.

He’s a bully, a brute, a lout. 

He stalks my back yard foraging

For greens he pulls with toothless gums.

The songbirds, opportunist bums —

Chickadees, titmice, and waxwings —

Blanket his back all day for free,

Though he’s kept bug-less by the bee-

Eaters. I’ve learned to swallow fears.

Each day someone boxes his ears.

Unless, Sonnet #633

Is the word a tautology?

It seems to mean “if less, less.”

Or is it, as in theology,

Tinged, like faith is, with a guess?

What will happen is contingent

On (an unless) what might not be,

Should the past or future invent

Some unclear possibility.

We use the word every day.

Are we afraid to speak the truth,

To even believe what we say

(Old, we say it — less in our youth),

Nor mean to understand unless

We think unknowing to express?

The Error of Innocence

It’s impossible, a contradiction

Of being, a false manipulation.

The mistake is in not knowing,

Like a child mimicking a curse,

Without any idea what it means.

At four I once told my brother,

“I wish you would go to hell,”

Then added, “no, don’t go to hell.”

Hell being no more than a word —

Yet I was vigorously punished

With a dozen stripes of a strap.

Some think we’re not born innocent,

Like the lion, the viper, or the lamb,

But by some withheld benediction

That can only be lost in the learning,

Which in itself taints the newly-wise.

The veins in a sick hand, febrile

And limp, are not guilty till lifted.

“The only truly innocent are dead,”

Some say. No greater lie ever said,

Because even they are burdened

By all that has come before. Not sin,

Not ignorance, but the spoken word,

The lie given breath willingly,

For no other purpose than to know.

The Last Days

“Some chose to run, many to hide

Inside their temples and rooms,

Where every one of them died

In incendiary tombs.

I walk in a mourning fog

Outside and inside my mind,

Hand in hand with Gog in Magog

And all the rest of my kind.”

“What are these floods and fires

And stupidity admirers

(Viruses in a cracked petri jar)?

How can I fight the coming war

We’re already losing day by day

As we run, slower and slower, away?”