The sonnet sequence, "My Human Disguise," of 630 ekphrastic poems, was begun February 2011. It can be found beginning with the January 20, 2022 post and working backwards. Going forward are 20 poems called "Terzata," beginning on January 27, 2022. Fifty Terzata can be found among the links on the right. A new series of dramatic monologues follows on the blog roll, followed by a series of formal poems, each based on a single word.
Thursday, August 22, 2024
Rondeau for Ruth
Thursday, August 15, 2024
Sestina: The Lake Michigan Shore
Thursday, August 8, 2024
Miro’s “The Farm”
Thursday, August 1, 2024
The Scream
I
Such a twilight
has no history,
nor would this nobody
rigid in the clutch
of his own two hands
in front of a sky
no longer his sky.
Two men walking away
are too nonchalant
to have seen his face
and stopped; therefore,
it must have looked
different than now.
Did he see fear
in their faces
or the fear
they saw in his?
The bridge rail
and the black river
connect all three
like testimony
and conspire
to convince them.
II
A red dusk
is sunlit pollution,
so it is not sick
churning colors
and nauseous chaos
of sand and sky
writhing in the same
two dimensions
that move,
because these
are all too real.
Not like that mouth,
that woeful oval.
As the vanishing point
is absent
from the painting,
from that mouth
no word flies,
nor any sound at all.
Thursday, July 25, 2024
The Angler (Paul Klee), Sonnet #625
And being, each unknown to each.
There’s no secret to fine fishing.
A boat is as good as a beach.
(The river is like a long book
Whose beginning sentence recedes.)
Please, allow no barb on the hook.
You’ll find trout hiding in the reeds,
Or flimmering in rapids, still
Above a bed of sand and stone.
Angling is no matter of skill.
It is for the fish alone
To consider and to chose.
Once hooked it’s yours to land or lose.
Thursday, July 18, 2024
Stevens
Before the last ending of autumn,
A startled cry from inside
Seemed like a mind in its sound.
I knew only what I had heard,
A baby’s cry, at midnight or after,
Above the late November wind.
The moon was rising at two,
Once a crumpled mask above dead leaves . . .
It could not be inside.
Not from the chiaroscuro
Of sleep’s faded paper sky . . .
The moon wasn’t coming inside.
That startled cry—it was
A tone whose song preceded tuning.
It was nothing like the old moon,
Surrounded by its echoic tone
Being right here. It was what
I’ve always known to be real.
Note: This poem is an homage to Wallace
Stevens, and is a rewrite of his
"Not Ideas About the Thing But the Thing Itself."
It's a form of ventriloquism, which is mentioned
in the Stevens poem, shown below.
At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.
He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind.
The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.
It was not from the vast ventriloquism
Of sleep's faded papier-mache...
The sun was coming from the outside.
That scrawny cry--It was
A chorister whose c preceded the choir.
It was part of the colossal sun,
Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.
Wednesday, July 10, 2024
Kite
What is not about this day?
A blown tangle of string,
White paper, bowed
Cross of wood dangling
By its tail from a tree limb
Outside my office, twisting
Itself into knots, spinning
When the wind drops. It wasn’t
There weeks ago and when I
Pull it down this afternoon
With a broom handle
It won’t be any less there
Than it is here and now.



