Thursday, August 22, 2024

Rondeau for Ruth

He knew euphoria the day they met.
He’s often felt so between then and now.
Was it the shy smile or searching brown eyes
Or how her eyelashes would lower and rise,
Like glinting perfection taking a bow?

How could any-day simple chance allow
Strangers meeting to result in a vow
And forty years devoid of pain or lies?
He knew euphoria the day they met.

His eye is protected by her eyebrow.
Their two hearts beat with a whisper and wow,
Not felt, but heard, always in sweet surprise.
No thought between them arrives in disguise.
They will never fail to remember how
They knew euphoria the day they met.

Thursday, August 15, 2024

Sestina: The Lake Michigan Shore

I stand knee deep in high waves
And wait for the darkening sky
To loose what it’s long held back,
A cataract of warm rain,
Like a proliferation of clear ideas
A mind no longer contained.

I read a book with no ideas,
A tangle of clouds in empty sky.
I couldn’t read it front to back
Or back to front. All it contained
Was words, single drops of rain
Or particles that were also waves.

The smallest moth is contained
In a cluster of dusty ideas
Within the vastness of the sky.
It clings to rotten wood, its back
As camouflaged as water in waves.
It is not moved by the fiercest rain.

The lake is high after endless rain,
An excess of lightning finally contained. 
The sun sweetly burns my back
Until it slips into a rift in the sky.
I find relief diving — the waves
Drown me with persistent ideas.

The sun slowly escapes the sky
Into the horizon, earth-shadow-contained.
Still air can’t raise a single wave
Or loose even one drop of rain.
All I see is the cessation of ideas.
For the night there’s no turning back.
I’ve known myself to talk to sky,
To write incessantly in rain,
And all I’ve said eschews ideas.
On my last day here I turned back
From the lake with waves
Of farewell, memory contained.

At home, the sky is bereft of ideas,
As the garden is of rain. It’s good to be back,
The lake contained but for dreaming waves.

Thursday, August 8, 2024

Miro’s “The Farm”

 












Revenged in sleep, yes, a good omen:
volcano, eggplant, hawk feather
conditioning a moment of pure certainty,
instead of remorse. Birdsong dissolves
the hard black shell of their dream.
She breathes deeply, counts the number
of all those living and gives thanks.
Her skin moves over bone like sad music,
a lamentation of slow recognition.

She thinks, The next is tree across a gorge,
a trick of the eye, a drunk’s progress,
the balanced walk soon elbows and knees,
the hopeful ephemerality of creeping
going lower, the rigid belly at rest
on the gnarled limb tapering to a twig—
pointing finger arrested in emphasis.
Fear zero, the unimaginable destiny.
She twists her body like a swimmer turning
backstroke into butterfly, affirming
things still work beneath the bedclothes.

She stretches to call the nurses: sun
a push button set in pale blue sky;
water can, milk pail, red tile, hedgerow;
plowed and seeded earth pocked by rain;
rafters, stepladder, goat bleat, cockcrow;
the fox’s daily raiding of the hen house;
the baby’s naked footprints in dried mud;
snail, calendar, chain link fence;
stones everywhere, endless hard work;
how her back bent beneath wet laundry,
milk, hay, dung, branches, children;
how it arched aching when her sun-fired
husband’s body pierced her in the shade.
The holy triangle: husband, children, self,
grown geometrically into a power of itself.
She remembers the fruit silk and sap smell
of the tree that grew in the center of the yard,
its branches arms with a hundred umbrellas.
In autumn, its shapeless, colorless body
stood like Death attempting resurrection.

Thursday, August 1, 2024

The Scream

 













I

Such a twilight
has no history,
nor would this nobody
rigid in the clutch
of his own two hands
in front of a sky
no longer his sky.
Two men walking away 
are too nonchalant
to have seen his face
and stopped; therefore,
it must have looked 
different than now.
Did he see fear
in their faces
or the fear
they saw in his?
The bridge rail
and the black river
connect all three
like testimony
and conspire
to convince them.

II

A red dusk
is sunlit pollution,
so it is not sick
churning colors
and nauseous chaos
of sand and sky
writhing in the same
two dimensions
that move,
because these
are all too real.
Not like that mouth,
that woeful oval.
As the vanishing point
is absent
from the painting,
from that mouth
no word flies,
nor any sound at all.

Thursday, July 25, 2024

The Angler (Paul Klee), Sonnet #625



















Two worlds, water and air, wishing

And being, each unknown to each.

There’s no secret to fine fishing.

A boat is as good as a beach.

(The river is like a long book

Whose beginning sentence recedes.)

Please, allow no barb on the hook.

You’ll find trout hiding in the reeds,

Or flimmering in rapids, still

Above a bed of sand and stone.

Angling is no matter of skill.

It is for the fish alone

To consider and to chose.

Once hooked it’s yours to land or lose.



 

Thursday, July 18, 2024

Stevens

Before the last ending of autumn,

A startled cry from inside

Seemed like a mind in its sound.


I knew only what I had heard,

A baby’s cry, at midnight or after,

Above the late November wind.


The moon was rising at two,

Once a crumpled mask above dead leaves . . .

It could not be inside.


Not from the chiaroscuro

Of sleep’s faded paper sky . . .

The moon wasn’t coming inside.


That startled cry—it was

A tone whose song preceded tuning.

It was nothing like the old moon,


Surrounded by its echoic tone

Being right here.  It was what

I’ve always known to be real.


Note: This poem is an homage to Wallace

Stevens, and is a rewrite of his

"Not Ideas About the Thing But the Thing Itself."

It's a form of ventriloquism, which is mentioned

in the Stevens poem, shown below.



At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind.

The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.

It was not from the vast ventriloquism
Of sleep's faded papier-mache...
The sun was coming from the outside.

That scrawny cry--It was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

Wednesday, July 10, 2024

Kite

 














What is not about this day?

A blown tangle of string,

White paper, bowed

Cross of wood dangling

By its tail from a tree limb

Outside my office, twisting

Itself into knots, spinning

When the wind drops. It wasn’t

There weeks ago and when I

Pull it down this afternoon

With a broom handle

It won’t be any less there

Than it is here and now.