At the gallery’s center,
the upturned face of a man
seen, from the right side,
earnestly seeking
what he hasn't made up
his mind about already,
upper lip a smooth
half-smile of vision,
from the left side, a sinner's
mask, dimpled where
two lips meet
tenderly in half-kiss,
then, face on, its
conflicts less resolved
than invisible, its mouth
a poem of pursed silence.
Thus confronted, I
place cold hands
upon that cold, hard
seeker's ghost made
black metal, my
thumbs on its pitted irises,
fingers in its ears, press
our foreheads together.
You, Rodin, read
the gallery thoughts of one
who is also the imprint
of thumbs in clay warm
with vigorous kneading; is
this the last exhaustion,
chapel of tortured beauty
prefiguring death?
I look, the guard
still gone, rap
the skull with my knuckles.
Rap again that ringing.